Pilot Theatre, the people behind Shift Happens asked us if we had any ideas how we could help people meet each other at their event. We didn’t. So, we went away and thought about it.

The idea started with the thought of making a networking machine or computer program. Some thing that could help you break the ice with people you’d not met before. When you and a group of people approach the machine, it knows who you are and it knows enough about you all to suggest something that you’d like to talk about.

We also thought it would be nice if the machine would tweet when people met, and that’s where the name came from.

As the machine tweets all these meetings it also remembers them, so you can ask it later who you’ve met. We’re hoping this will be really useful to everyone taking part.

If you’re at Shift Happens, we really hope you like Tweet When You Meet. This is its first time being tested in the real wide world and we’d really like to know what you think. We’d also love to hear your suggestions about what else it could do to help you meet more people and remember who you’ve met. So please come and play with us at Shift Happens and let us know what you think.

Temple Works // photo by Jim Moran flickr: http://www.flickr.com/photos/moran/

The Jam Jar Collective are now artists in residence at the incredible Temple Works site in Leeds.

We first worked on site in 2009 and created a large scale light and sound installation ‘Bloom’ in the large main warehouse space as part of Leeds’ Light Night. There is a video of the series of installations including ours here.

We are now working in some of the space on site as a new workshop and test bed for upcoming projects. Check out http://www.templeworksleeds.com/tw/ for more information about what’s going on at Temple Works and how you can get involved.

The building is set for completion in 2011.  But we start designing the technology in spring 2010. More to come later.

Some of the throwies made during the workshop

We were very impressed with the skill of the attendees and by the end of the day we had a box full of throwies and some great LED gooseneck clip lights made by everybody. There was a separate photography workshop class running in the space and the group spent the evening taking some long exposure shots – take a look at their Flickr site here.

Working with the ARDX kits

On the second day of workshops we introduced the people at the workshop to some  slightly more advanced circuits with some small kits to try their hand at building. This was a thorough test of their soldering skills and there were signs of progress in just a day’s work. For two more advanced attendees we had some lovely Arduino ARDX kits from the ever-pleasant oomlout people. These kits include templates and step-by-step guides to building increasingly-complex Arduino circuits. We also had fun playing with the Arduino software, experimenting with different code and seeing how it affected the function of the circuitry and electronics.

Our time at Action Factory was thoroughly enjoyable and they have an amazing arts space there. We would highly recommend it to all living in or near to Blackburn for quality community arts and workshops in a wide range of disciplines.

Budapest was our first time working closely with Pilot Theatre and it is a massive privilege to have been asked to get involved in the project. Our role as visual artists for Pilot will involve working closely with the playwright Richard Hurford and director Katie Posner; designing sets and interactive scenery – weaving technology into the production.

Marcus Romer, Artistic Director of Pilot is a great inspiration – always keen to discuss new ideas, technology, and theories as well as being incredible fun to work with. He is excited by advances in social and web technologies and as proved at the recent Shift Happens 2.0 conference has great visions of possible developments in theatre performance and production.

Platform 11+ is a EU funded project with 13 countries involved:

Divadlo Alfa Pilsen – Czech Republic
VAT Teater Tallinn – Estonia
Oulun Kaupungin Teatteri Oulu – Finland
Theater Junge Generation Dresden – Germany
Kolibri Theater for Children and Youth Budapest – Hungary
Elsinor Teatro Stabile di Innovazione Milan, Florence, Forli – Italy
Theater de Citadel Groningen – The Netherlands
Brageteatret Drammen – Norway
Teatro O Bando Palmela – Portugal
Theatre Institute Bratislava – Slovakia
Junges Schauspielhaus / Jetzt & Co Zurich – Switzerland
Pilot Theatre Company York – United Kingdom
Emergency Exit Arts London – United Kingdom
University of Agder Kristiansand – Norway

As well as one company from South America:

ATINA Buenos Aires – Argentina

This first meeting was an introduction of all members to each other and the project’s wider intentions as a whole. The project is due to run for 4 years, with new plays being written in new collaborations between different countries.

Extracts or summaries of each play will be read or performed to audiences in all 11 countries across Europe, with summaries being provided for each in English. There are a number of phases to the project  including the chance to create an art installation linked to the theatre performances. This is planned for June 2010 and looks set to be an incredible opportunity to create an art installation.

Marko - Finnish Performer

One of the events that occurred in Budapest was Schoolyard Crossing – a multidisciplinary art and performance event that took place in a primary school’s yard. It was incredible to see 300+ young children interacting with so many different performers at the same time – what may have seemed like anarchy on the outside was in fact organised play-learning and an amazing experience for all of the children involved. As a result of this schoolyard crossing, the children will now create artworks and plays in response to what they experienced. See here for more pictures of the event.

Lachlan - UK Performer

This is the core element of the project – trying to inspire children to get involved in the art of theatre, drama and learning through their playing experiences. I certainly value the power of theatre and what profound effect is has had on my life since the first time I got on stage at school at the age of 11. The process of learning lines, developing a character, getting into that character and understanding a performance is all hugely valuable stuff to be doing as a young person; let alone the adrenaline rush of performing to an audience!

Platform 11+ Ning Site

There is an official website for the project here – that gives a little more official information about the project. Marcus Romer has also set up a ning site for the participants to upload content and discuss the project as it unfolds over the next four years – keep an eye out to see the creative process in action.

Budapest was a beautiful city to host the first annual meeting with the Minister for Education and Culture in Hungary greeting us for a reception on the first night.  A great thank you goes to the hosts, Kolibri Theatre as well as all of the Platform 11+ team for putting together a great schedule for the coming years.

Commissioned by Dauntless to create a audio visual piano for a temporary installation. First prototype was tested at a recent club event with video samples of ‘Big’ – giving people a chance to remix the film with their feet.

Our first outing into the world of interactivity – FriiSpray is a form of infra-graffiti using a nintendo wiimote, custom spray can and open source software.

Look at the project here

After a intense period of research and testing, were looking to develop the project in may different areas – from a fully emersive environment whereby you can paint with fingers to a custom 3D prints of cans and other tools.